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Nam June Paik : 5 Text passages
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1.  Golo Föllmer «Audio Art»Cage's principle of indeterminacy[24] by placing Schaeffer's technologies into an installation situation at his «Exposition of Music—Electronic Television.» «In most indeterministic pieces of music the composer grants the decision of will or freedom to the interpreter, [more]  |
| 2. Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life» Open Work,» published in 1962, live broadcasts harbored the potential for real-time participation. («Exposition of Music and Electronic Television»). Otto Piene and Aldo Tambellini's pioneering television happening «Black Gate Cologne» (1968) [more] |
| 3. Heike Helfert «Technological Constructions of Space-Time
Aspects of Perception» June Paik, one of the pioneers of video art, had already in 1963 in the Wuppertal exhibit Exposition of Music—Electronic Television confronted television as a means of mass communication and the disturbance or breaking its conventional one-way character.[27] [more] |
| 4. Inke Arns «Interaction, Participation, Networking: Art and Telecommunication» the «Exposition of Music–Electronic Television» festival staged in the German city of Wuppertal in 1963, Nam June Paik drafted a first blueprint for viewer interaction [more] |
| 5. Rudolf Frieling Dieter Daniels «Milestones of Media-Art» Nam June Paik, »Exposition of Music – Electronic Television« Author: Dieter Daniels Performance/Theater Experiments in Art and Technology, »9 Evenings« Author: Rudolf [more] |
