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Categories: Photography
Keywords: Cyborg | Body | Gender | Perception
Relevant passages:
Works by Mariko Mori:
Check as well:
Inez van Lamsweerde
Lynn Hershman Markus Käch Aziz, Anthony; Cucher, Sammy (Aziz/Cucher) Alba D'Urbano Markus Käch «Pathologien medialer Konstitutionstypen» Aziz, Anthony; Cucher, Sammy «Faith, Honor and Beauty» Alba D'Urbano «Hautnah» Inez van Lamsweerde «Final Fantasy» Inez van Lamsweerde «The Forest»
Lynn Hershman »Teknolust« ORLAN »Ceci est mon corps ... ceci est mon logiciel: Omniprésence« Lynn Hershman «Deep Contact: The First Interactive Sexual Fantasy Videodisc» Lynn Hershman «Phantom Limb Photographs» Peter Weibel »Cartesianisches Chaos«
Mariko Mori
«Play with Me»
In 1994 Mori created a series of photographies like «Play with Me,» «Tea Ceremony,» «Love Hotel,» «Red Light» or «Subway,» in which she envisioned herself as a post-human cyborg girl, a stranger that seemed to have leeped into real life from a manga comic or a video game thereby creating an irritation about the future. The works from this period are questioning the cyborg phantasies from Japanese animes and traditional female roles.
Yvonne Volkart
