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Die Tödliche Doris «Cavaliers»
Die Tödliche Doris, «Cavaliers», 1984
© Die Tödliche Doris


 Die Tödliche Doris
«Cavaliers»

The recording of 'Cavaliers' including a video clip stands in relationship to Tödliche Doris' ensemble of works 'Natural Disasters'. The acoustic distortion of a concert by means of interference such as a burning microphone here becomes the 'natural' antipode of the artificial nature of a Baroque garden. The audio material of the live concert provides the basis for later lip-synched performances comparable to the performance art 'Über-Mutti' (Super-Mom).

 

Rudolf Frieling