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Relevant passages:
Inke Arns «Social Technologies
Deconstruction, subversion, and the utopia of democratic communication»
Works by Klaus, vom Bruch:
Alliiertenband
Coventry War Requiem The Propeller Tape The Propeller Tape (video-editing installation) The Schleyer Tape Jam-Jam Project Postcard Edition for the Cologne Art Fair Radar Shelves
Klaus, vom Bruch «Radar Shelves» Ulrike Rosenbach «Drawing Hood» Valie Export «Tap and Touch cinema» Bruch, Klaus vom; Rosenbach, Ulrike »Tausend Küsse« Valie Export »Split Reality«
Klaus, vom Bruch
«The Duracell tape»
The appropriation of foreign material – a characteristic feature of many of Klaus vom Bruch's tapes – now intensified in an extreme video collage. The commercial clip for a brand-name battery, associated with notions like discharge and charging, is interrupted by lightning-like images of the nuclear bomb catastrophe in Nagasaki, shots of an American pilot, and Klaus vom Bruch's self-portrait as recorded during an action at the 11th Biennale de Paris in 1980.
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