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Relevant passages:
Inke Arns «Social Technologies
Deconstruction, subversion, and the utopia of democratic communication»
Works by Klaus, vom Bruch:
Alliiertenband
Coventry War Requiem The Propeller Tape The Propeller Tape (video-editing installation) The Schleyer Tape Jam-Jam Project Postcard Edition for the Cologne Art Fair Radar Shelves
Frederike Pezold »Radio Freies Utopia« Valie Export «Body Superimpositions with Historical Reproductions» Ulrike Rosenbach «Drawing Hood» Ulrike Rosenbach «My Little Cabbage» Marcel Odenbach «Piano Concerto for Three Hands and Horribly Out-of-Tune Instruments»
Klaus, vom Bruch
«The Duracell tape»
The appropriation of foreign material – a characteristic feature of many of Klaus vom Bruch's tapes – now intensified in an extreme video collage. The commercial clip for a brand-name battery, associated with notions like discharge and charging, is interrupted by lightning-like images of the nuclear bomb catastrophe in Nagasaki, shots of an American pilot, and Klaus vom Bruch's self-portrait as recorded during an action at the 11th Biennale de Paris in 1980.
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