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Constructing Media SpacesJosephine Bosma
In her essay, «Constructing Media Spaces,» Josephine Bosma argues that forms of networked art, in particular, are progenitors of what media theorist calls «public domain 2.0,» and that the works of the artists described in her text «bring people closer to technology on many different levels. Some only create curiosity and wonder (the first level of familiarity); others clearly aim at audience participation or even education. All of these works deal with the public domain as a virtual, mediated space consisting of both material and immaterial matter.» [more]
Some thoughts on art
(Re)defining the public domain
Performing physical interfaces: Face-to-face with technology
Station Rose
Heath Bunting: Project-X
Mongrel
Etoy: «Etoy.Daycare»
Collaboration and co-authorship: Art spaces online
The Thing
Public Netbase and other early European media labs and online platforms
nettime
Rhizome
New diversity: Sarai, Furtherfield, Netartreview, Empyre
Software: Layering media, portable media spaces and media as metaphor
Software art context
WebStalker
RunMe.org
Virus as intervention: Forkbomb
Conceptual software: «.walk»
Public Domain 2.0 Redux