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Archive—post/photographic
Jens Schröter
The contribution deals with the connection between photography and the archive, one of the central parameters of the photographic age. This aspect is to be taken into consideration when the issue is the shift towards the so-called post-photographic age-because digitalization changes photography in particular with regard to the shift from storage to transmission, which is reflected in various artistic approaches. [more]
Introduction: From the archive to transmission Form divorced from matter—The «monument archive photography» The archive of art—The imaginary museum Archive and art canon The police archive—Criminal records Walker Evans’ «dialogue with the empirical methods of the detective police» The private archive—The family album Gerhard Richter's «Atlas» The digitalization of the archive From image telegraphy to the calculable image Data compression/Original and copy Intermediality/Rearranging the archive The permanence of the archive as permanent transformation From criminal records to permanent video surveillance Publication of the private Alexandria and the avant-garde