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Schlagworte: Interaktion: 1 Text passage
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1.  Claudia Giannetti «Aesthetic Paradigms of Media Art»[14] inevitably imply the performance (in the literal sense) of the technical prostheses he employs. In works like «Ping Body» (1995–1998), the body vanishes as an instrument of action: the (virtual) phantom body, the user participating in [more]  |
