Note: If you see this text you use a browser which does not support usual Web-standards. Therefore the design of Media Art Net will not display correctly. Contents are nevertheless provided. For greatest possible comfort and full functionality you should use one of the recommended browsers. |
peter weibel: 4 Text passages
Hits |
1. Dieter Daniels «Television-Art or anti-art?
Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s» of any utopia involving peaceful symbiosis between art and the mass media. John Lennon and Yoko Ono's 1969 film «Film No. 6, Rape» is equally radical. It was produced and broadcast by ORF, and shows a camera crew following a passer-by down the [more] |
2. Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life» reveals!». On the other hand, the same process can be demonstrated and produced as an act of inscription, as in «Film No.6, Rape» ( John Lennon and Yoko Ono, 1969). Whereas a classical artistic perspective on the question of the body-conditioned [more] |
3. Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life» Beatles events, together with the Austrian public broadcaster ORF Ono and John Lennon produced the television broadcast «Film No. 6, Rape» (1969). As Reality TV—an unknown woman was genuinely stalked by a camera— [more] |
4. Inke Arns «Social Technologies
Deconstruction, subversion, and the utopia of democratic communication» video and media art, artists often address the subjects of surveillance and control. John Lennon and Yoko Ono's «Film No. 6, Rape» (1969) is one of the first works to anticipate with almost uncanny precision the reality TV aesthetics of the late [more] |