| Note: If you see this text you use a browser which does not support usual Web-standards. Therefore the design of Media Art Net will not display correctly. Contents are nevertheless provided. For greatest possible comfort and full functionality you should use one of the recommended browsers. |
Kategorien: Quellen: 3 Text passages
| Hits |
1.  Rudolf Frieling «Form Follows Format
Tensions, Museums, Media Technology, and Media Art»[15] For dating the introduction to 1967 see the reference to Siegfried Zielinski in Rudolf Frieling, «VT ≠ TV–The Beginnings of Video Art,» in Media Art Action–The 1960s and 1970s in Germany, Rudolf Frieling/Dieter Daniels (eds.), Vienna/ New York, 1997, pp. 122f. [more]  |
| 2. Rudolf Frieling «Form Follows Format
Tensions, Museums, Media Technology, and Media Art» [27] Cf. Rudolf Frieling, «VT ≠ TV–The Beginnings of Video Art,» op. cit.. [more] |
| 3. Rudolf Frieling «Form Follows Format
Tensions, Museums, Media Technology, and Media Art» [40] In an exhibition in the Centre Pompidou in 1997, Rosalind Krauss again places the monitors showing Bruce Nauman videos on plinths, but under Perspex this time–an ironic restaging of the video sculpture approach. For the general and generic history of video sculpture cf. Rudolf Frieling, «VT ≠ TV–The Beginnings of Video Art,» in Media Art Action, op. cit.; John Hanhardt (1990) op.cit.; Doug Hall/Sally Jo Fifer (eds.), Illuminating Video–An Essential Guide to Video Art, New York, 1990; Friedemann Malsch/Dagmar Streckel, Künstler-Videos–Entwicklung und Bedeutung, in Kunsthaus Zürich, Ursula Perucchi-Petri (ed.), Ostfildern, 1996. [more] |
