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identity: 2 Text passages
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1.  Susanne Holschbach «Continuities and differences between photographic and post-photographic»being directly visible in the result. Works such as «Faces #1–12» (1998) by Vibeke Tandberg, «Affaires infinies» by Bettina Hoffmann (1997), or «Le jeu de la règle» (1992ff.) by Alain Fleischer are based on [more]  |
| 2. Anette Hüsch «Artistic Concepts Linked to the Transition from Analog to Digital Photography» are just as important as deformation strategies. Bettina Hoffmann stages what appear to be everyday scenes in «affaires infinies» [more] |
