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digital video: 3 Text passages
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1.  Michael Wetzel «Acousmêtrie - On the Relationship between Voice and Image in the Films of Chris Marker»linking, and morphing that actually dominate Marker's more recent works («Zapping Zone» 1990, F; «Level 5» 1997, F; «Immemory» 1997, F).[3] Nevertheless, in analyzing the potential of this new narrativity in film, [more]  |
| 2. Michael Wetzel «Acousmêtrie - On the Relationship between Voice and Image in the Films of Chris Marker» appearing in the shape of Hayao Yamaneko's synthesizer in «Sans soleil» to the computerized voice in «Level Five.» For Marker, the problem of authorship in general crystallizes in the acousmatic phenomenon of film. Authorship [more] |
| 3. Michael Wetzel «Acousmêtrie - On the Relationship between Voice and Image in the Films of Chris Marker» of the rue de Rennes Parisian Métro station. It also appears when the directional voice of the computer in «Level Fives» takes the hermeneutic initiative and figures out the mysterious program for the battle of Okinawa with [more] |
