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digital video: 3 Text passages
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1.  Dieter Daniels «Television-Art or anti-art?
Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s»on WHGB-TV from Boston. And in the same year Gerry Schum pronounced on the occasion of his first broadcast of his Television Gallery on Sender Freies Berlin: «The circle of people that can be reached by galleries and museums is minimal. [more]  |
| 2. Dieter Daniels «Television-Art or anti-art?
Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s» The German filmmaker Gerry Schum developed a clear concept for the artistic use of television from 1968. His visionary «Fernsehgalerie« (Television Gallery) was intended to produce and present art exclusively in the medium of television and not use any [more] |
| 3. Rudolf Frieling «Form Follows Format
Tensions, Museums, Media Technology, and Media Art» Again it is the era of 1968 that sets the paradigms for both delineating borders and overcoming them. Gerry Schum's «Fernseh- und Videogalerie»[20] is seen as a visionary model for a different kind of art distribution. After the failure of the television gallery, [more] |
