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Fluxus-Bewegung : 1 Text passage
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1.  Heike Helfert «Technological Constructions of Space-Time
Aspects of Perception»production of purely abstract films quite arduous. Only a few years later, film compositions like Walter Ruttman's «Berlin. Die Sinfonie der Großstadt» (1926–1927) emerge; these do not have abstract film material as their foundation, but rather use documentary film [more]  |
