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Digitale Kunst: 2 Text passages
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1. Steve Dietz «Editorial» public to self-represent, others entice the public into participating in public spaces, such as Valie Export’s classic «Tap and Touch Cinema» or Keith Obadike’s selling his blackness in the virtual public marketplace of eBay. [14] Other artists, rather than [more] |
2. Steve Dietz «Public Sphere_s» public to self-represent, others entice the public into complicity in public spaces, such as Valie Export’s classic «Tap and Touch Cinema» (1968). Just as Export brought performance out of the theater into the streets with her project, mixing genres, many new media [more] |