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Digitale Kunst: 2 Text passages
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1.  Susanne Holschbach «Continuities and differences between photographic and post-photographic»(Valie Export's «o.T.» from 1989), robbed of their countenance (Anthony Aziz and Sammy Cucher's «Dystopia» from 1994), their individuality (Nancy Burson's series «Chimären» since 1982). [51] It is at the [more]  |
| 2. Anette Hüsch «Artistic Concepts Linked to the Transition from Analog to Digital Photography» Aziz and Sammy Cucher, or the manipulated large-format glossy images by the Dutch artist Inez van Lamsweerde: In «The Dystopia Series» (1994) by Anthony Aziz and Sammy Cucher, perfect digital retouching blatantly presents itself as an offensive [more] |
