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Digitale Kunst: 2 Text passages
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1.  Susanne Holschbach «Continuities and differences between photographic and post-photographic»body, on the human face: Bodies were deformed and hybridized (Inez van Lamsweerde), constructed (Keith Cottingham's «Fictitious Portraits» from 1992); faces were ‹folded› (Valie Export's «o.T.» from 1989), robbed of their [more]  |
| 2. Anette Hüsch «Artistic Concepts Linked to the Transition from Analog to Digital Photography» to those of mug-shots. The photographic suggestion is far more perfect in the excruciatingly sharp, color simulations, «Fictitious Portraits,» by Keith Cottingham. Constructed from different visual reference materials, these pictures of an adolescent possess a [more] |
