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Digitale Kunst: 1 Text passage
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1.  Susanne Holschbach «Continuities and differences between photographic and post-photographic»artists can now process photographs without their intervention being directly visible in the result. Works such as «Faces #1–12» (1998) by Vibeke Tandberg, «Affaires infinies» by Bettina Hoffmann (1997), or «Le jeu de la [more]  |
