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Digitale Kunst: 1 Text passage
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1. Inke Arns «Social Technologies
Deconstruction, subversion, and the utopia of democratic communication» ‹security systems› that film visitors and transmit the resultant images all over the exhibition space («Welcome to Security Land,» 1995). Harun Farockis video piece «Ich glaubte, Gefangene zu sehen» (2000) focuses on surveillance [more] |