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Digitale Kunst: 1 Text passage
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1.  Rudolf Frieling «Form Follows Format
Tensions, Museums, Media Technology, and Media Art»(Rosemarie Trockel), from narrative tape production to the art-historically charged museum panel picture (Bill Viola, «The City of Man», 1989) and now also–after the video sculpture–from the eccentric film to involvement with classical [more]  |
