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Digitale Kunst: 1 Text passage
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1.  Rudolf Frieling «Form Follows Format
Tensions, Museums, Media Technology, and Media Art»commercialized and popularized in the wake of MTV in the 1980s. Monumental installations by Fabrizio Plessi, «Tempo Liquido» (1993), or Marie-Jo Lafontaine, «Les larmes d'acier» (1987), used powerful arts of visual seduction [more]  |
