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Digitale Kunst: 2 Text passages
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1.  Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life»[33] In this respect, marked similarities emerged with the theatricality of 1980s video sculpture, for instance Marie-Jo Lafontaine's monumental and operatic «Les larmes d'acier.» [more]  |
| 2. Rudolf Frieling «Form Follows Format
Tensions, Museums, Media Technology, and Media Art» in the 1980s. Monumental installations by Fabrizio Plessi, «Tempo Liquido» (1993), or Marie-Jo Lafontaine, «Les larmes d'acier» (1987), used powerful arts of visual seduction deploying the arsenal of postmodern visual staging and also aiming to [more] |
