| Note: If you see this text you use a browser which does not support usual Web-standards. Therefore the design of Media Art Net will not display correctly. Contents are nevertheless provided. For greatest possible comfort and full functionality you should use one of the recommended browsers. |
Cybernetic Serendipity (1968): 2 Text passages
| Hits |
1.  Dieter Daniels «Television-Art or anti-art?
Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s»made up of the idea, a visual presentation and the artist as demonstrator,» says Schum in his introduction to «Identifications.» In a similar way, he combines contradictory roles in a single person. He simultaneously mediates between television [more]  |
| 2. Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life» George's «living sculptures,» as presented in their tableau for Gerry Schum's television broadcast «Identifications,» (1970) set the «artificial, rigid, remote and single» against the «fluid, interactive and [more] |
