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Cybernetic Serendipity (1968): 5 Text passages

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1. Dieter Daniels «Television-Art or anti-art? Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s»
And the year before that, WDR Cologne had opened its new TV studio for electronic image manipulation with the elaborate «Black Gate Cologne» intermedia event, staged by the artists Otto Piene and Aldo Tambellini. And in Sweden and England, and also at other [more]

2. Dieter Daniels «Television-Art or anti-art? Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s»
Gate Cologne»—a happening in the studio Otto Piene and Aldo Tambellini's «Black Gate Cologne,» 1968, is often called the first TV art broadcast. But the concept was not originally produced for television, rather [more]

3. Rudolf Frieling «Reality/Mediality Hybrid Processes Between Art and Life»
of Music and Electronic Television»). Otto Piene and Aldo Tambellini's pioneering television happening «Black Gate Cologne» (1968) illustrates the extent to which the wealth of options to act and intervene could be undermined by artistic [more]

4. Heike Helfert «Technological Constructions of Space-Time Aspects of Perception»
increasingly emerges. Technological renewals in the area of mass communication are seen as a chance to develop a mass culture. Aldo Tambellini, who in 1968 together with Otto Piene produced the live television art show «Black Gate Cologne,» expressed this [more]

5. Rudolf Frieling Dieter Daniels «Milestones of Media-Art»
in Art and Technology, »9 Evenings« Author: Rudolf Frieling Television Otto Piene/Aldo Tambellini, »Black Gate Cologne« Author: Rudolf Frieling Interaction Gordon Pask, »The Colloquy of Mobiles« Author: Margit Rosen [more]