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Nam June Paik : 5 Text passages

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1. Dieter Daniels «Television-Art or anti-art? Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s»
to creative intervention by the public.[16] Paik's «Participation TV» Paik's first major exhibition «Exposition of Music—Electronic Television» took place from March 11–20, 1963 in the Wuppertal architect Jährling's private Galerie Parnass. The [more]

2. Dieter Daniels «Television-Art or anti-art? Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s»
is on its side as opposed to its feet). a single, vertical, white line runs through the middle of the screen of the ‹zen tv.› one set lies face-down and shows its pictures to the parquet floor (paik said today: «that one was [more]

3. Dieter Daniels «Television-Art or anti-art? Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s»
procedure bring about a fireworks of instantly disappearing points of light on the screen. another set is hooked up to a microphone; anyone who speaks into the mike sees an explosion of light dots similar to the other set, but a continuous one this time. the [more]

4. Dieter Daniels «Television-Art or anti-art? Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s»
Paik refers to «Vostell's idea (Décollage television)» in 1963 in the leaflet accompanying the «Exposition of Music—Electronic Television.» But it remains difficult to assess how much Vostell had already developed ideas and sketches for TV pieces as early as [more]

5. Rudolf Frieling «Form Follows Format Tensions, Museums, Media Technology, and Media Art»
of apparatus constellations beyond mere disturbance of a given device, in this case the television image, in the «Exposition of Music–Electronic Television» in 1963. To this extent, one frequently asked question–and this was the case even before the video camera and the [more]