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Digitale Kunst: 5 Text passages
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1.  Yvonne Volkart «Monstrous Bodies: The Disarranged Gender Body as an Arena for Monstrous Subject Relations»and skin objects or copulating electrical parts in later works such as «Chimera.» In the digital body images by Yves Netzhammer, for instance those in his early work «Grosse Spiegel werden verloren. Informationen von Abwesenheit, damit Anwesenheit [more]  |
| 2. Yvonne Volkart «Monstrous Bodies: The Disarranged Gender Body as an Arena for Monstrous Subject Relations» (male) programmed nature that continues to keep alive associations of a fluid femaleness. These overlappings explain how in Yves Netzhammer's recent computer animations, for instance, the subject of an apparently conventionalclosed doll body can become the focus, but [more] |
| 3. Sigrid Schade «The Media/Games of the Doll - Contemporary Artists' Interest in Surrealism» on the figure of the doll: Katrin Freisager, Kirsten Geisler, Lynn Hershman, Inez van Lamsweerde, Victorine Müller, Yves Netzhammer, Tony Oursler, Cindy Sherman, Judy Fox, Robert Gober, Mike Kelley, Kiki Smith. The interest in the doll by each of these [more] |
| 4. Sigrid Schade «The Media/Games of the Doll - Contemporary Artists' Interest in Surrealism» feasibility is promised to us daily by plastic and non-invasive surgery and, not lastly, biotechnology. [28] Perception games Yves Netzhammer's digital, moving images and his installations using extensive projections—such as the multipart exhibition project [more] |
| 5. Sigrid Schade «The Media/Games of the Doll - Contemporary Artists' Interest in Surrealism» humans—or body images in the age of biotechnology—and thematicize the potential effects of cloning. [30] However, Yves Netzhammer's digital images are always in motion. On the one hand they produce memory images of recognition in a permanent metamorphic [more] |
