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Digitale Kunst: 5 Text passages


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1. icon: author Claudia Giannetti «Aesthetics and communicative Context»
former are purposeoriented machines, the latter are ones which are potentially suitable for interactivity. [21] According to Peter Weibel three different models of interactivity can be drawn up from the viewpoints of behavior and consciousness: synaesthetic [more]more
2. icon: author Claudia Giannetti «Aesthetic Paradigms of Media Art»
example, in the writings of Jean-François Lyotard, Jean Baudrillard, Johannes Birringer, Paul Virilio, Peter Weibel, Vilém Flusser and Peter Zec—there are unanimous references to the «chronochratic process» (Peter [more]more
3. icon: author Claudia Giannetti «Endo-Aesthetics»
[1] The first proposal that the properties of interactive art and virtual reality be examined on the basis of endo-physical principles came from Peter Weibel in 1992. See Peter Weibel, «Virtuelle Realität: Der Endo-Zugang zur Elektronik,» in Cyberspace—Zum medialen Gesamtkunstwerk, Florian Rötzer/Peter Weibel (eds.), Munich, 1993, pp. 15–46; «The World from Within—Endo & Nano. Over and Beyond the Limits of Reality,» in The world from within, Endo & Nano, Ars Electronica 92, Karl Gerbel/Peter Weibel (eds.) , Linz, 1992, see the Ars Electronica Katalogarchiv. The ideas on endoaesthetics developed in this essay are owing to Weibel’s approach and the theory of Otto E. Rössler. [more]more
4. icon: author Claudia Giannetti «Endo-Aesthetics»
the interactive installation «The Wall, the Curtain (Border, the) technical terminology also: Lascaux» (1994) by Peter Weibel, in which the interactor becomes part of what he observes. That distortion triggered by the observer in the reality of his [more]more
5. icon: author Claudia Giannetti «Endo-Aesthetics»
and whose digital processes and instruments are considered to be system-inherent. With a series of works from 1977 onward, Peter Weibel investigated the relativity of an observer-dependent world and the possibilities resulting in reference to internal observers, [more]more