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Digitale Kunst: 4 Text passages


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1. icon: author Dieter Daniels «Television-Art or anti-art? Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s»
television, radio and film, ranging from total enthusiasm to radical rejection.[9] Then around 1963–1964, Nam June Paik, Wolf Vostell and other artists tested television's practical suitability in the art field for the first time using primitive resources, [more]more
2. icon: author Dieter Daniels «Television-Art or anti-art? Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s»
at least, the viewer's only means of interaction with the TV image was the on-off switch. Vostell's TV Decollage Wolf Vostell's first public show of TV works took place from May 22—June 8, 1963 in New York, in other words only two months after [more]more
3. icon: author Rudolf Frieling «Reality/Mediality Hybrid Processes Between Art and Life»
and Fluxus artist Ben Vautier. Another artist who propagated the notion that «life and people can be art» was Wolf Vostell, who not without good reason wrote about the «event as a whole.»[6] This demand for a holistic linkage of art and [more]more
4. icon: author Inke Arns «Social Technologies Deconstruction, subversion, and the utopia of democratic communication»
from the sphere of psychological or subliminal warfare, in the 1980s. Important initiatives within the Fluxus movement were Wolf Vostell's «Television Décollage»[19] and Nam June Paik's 1960s and 1970s works, in which he approaches television [more]more