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sound art: 4 Text passages
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1.  Dieter Daniels «Media → Art / Art → Media
Forerunners of media art in the first half of the twentieth century»of utopias as seen in the earliest artistic ideas for television, which was still in an experimental phase at the time. For Vertov, film and radio are just intermediate steps towards a new art form, the «radio eye.» He was anticipating [more]  |
| 2. Dieter Daniels «Television-Art or anti-art?
Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s» in the 1920s, and also anticipating the utopias of the global Internet community in the 1990s. This was the spirit in which Dziga Vertov sketched out his utopia of a combination of radio and film as early as 1925, so that all the proletarians in the world could [more] |
| 3. Golo Föllmer «Audio Art» suggestions for its artistic-musical use were not made until the 1910s. Around 1917 the later documentary film pioneer Dziga Vertov attempted to create a montage of noise, however his plan fell through because of the state of technology at the time.[13] In [more] |
| 4. Inke Arns «Social Technologies
Deconstruction, subversion, and the utopia of democratic communication» daily events in short silent film montages with subtitles, thus pursuing an agitatory and didactic role, reminiscent of the Dziga Vertov model.[8] Godard had been seen as the most original and radical exponent of the French ‹Nouvelle Vague› with his [more] |
