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identity: 2 Text passages
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1.  Susanne Holschbach «Continuities and differences between photographic and post-photographic»without their intervention being directly visible in the result. Works such as «Faces #1–12» (1998) by Vibeke Tandberg, «Affaires infinies» by Bettina Hoffmann (1997), or «Le jeu de la règle» (1992ff.) by Alain [more]  |
| 2. Anette Hüsch «Artistic Concepts Linked to the Transition from Analog to Digital Photography» a totally different manner. They reflect personal identity itself, which appears as simply an expression in the image. Whether Vibeke Tandberg or Mitra Tabrizian, while these artists use digital intervention possibilities in the photographic image, they make less [more] |
