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digital video: 3 Text passages
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1.  Tom Holert «Deserts of the Political - Michelangelo Antonioni, Robert Smithson and Michael Snow»discourse carried on by other cinematographers of the desert. La Région Centrale In 1971, Canadian filmmaker Michael Snow started the paradoxical task of observing the wilderness empty of people, without having anyone present at all. Snow had a [more]  |
| 2. Ivone Margulies «Toward a Corporeal Cinema: Theatricality in the \'70s» Dreyer's «Gertrud,» etc.), in the U.S. to experiments with proto- and infra-narrative forms (Andy Warhol, Michael Snow, James Benning), these bodies of work reflect unique approaches to narrative and performance. In Akerman, they meet, through a [more] |
| 3. Robin Curtis «Of Gerbils and Men: Politics, Satire and Passion in Some Films of Joyce Wieland» graphic artist at a commercial animation house in Toronto. Following her move to New York City in 1962 with her then-husband, Michael Snow, she felt an increased affinity for the medium. Despite having been well established as an artist in Canada, having [more] |
