| Note: If you see this text you use a browser which does not support usual Web-standards. Therefore the design of Media Art Net will not display correctly. Contents are nevertheless provided. For greatest possible comfort and full functionality you should use one of the recommended browsers. |
robert-lippok: 4 Text passages
| Hits |
1.  Dieter Daniels «Television-Art or anti-art?
Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s»emphasis used to introduce the program «The Medium Is the Medium» on WHGB-TV from Boston. And in the same year Gerry Schum pronounced on the occasion of his first broadcast of his Television Gallery on Sender Freies Berlin: «The circle of [more]  |
| 2. Dieter Daniels «Television-Art or anti-art?
Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s» into the medium of television. Schum's «Fernsehgalerie«—art without a place The German filmmaker Gerry Schum developed a clear concept for the artistic use of television from 1968. His visionary «Fernsehgalerie« (Television [more] |
| 3. Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life» to naturalness and subjectivity. Gilbert & George's «living sculptures,» as presented in their tableau for Gerry Schum's television broadcast «Identifications,» (1970) set the «artificial, rigid, remote and single» against [more] |
| 4. Rudolf Frieling «Form Follows Format
Tensions, Museums, Media Technology, and Media Art» issue using mass media. Again it is the era of 1968 that sets the paradigms for both delineating borders and overcoming them. Gerry Schum's «Fernseh- und Videogalerie»[20] is seen as a visionary model for a different kind of art distribution. After the [more] |
