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identity: 4 Text passages
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1.  Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life»artists like Martha Rosler, Ulrike Rosenbach, Valie Export and Joan Jonas,[54] the new medium of video, as yet unfettered by the constraints of tradition, immediately [more]  |
| 2. Inke Arns «Social Technologies
Deconstruction, subversion, and the utopia of democratic communication» of a Theory of the Media». In the early 1970s, a number of feminist artists started to work with the medium of video (Ulrike Rosenbach, Valie Export and others). In this context video, as a new medium unburdened with rigid rules and traditions, is seen as an [more] |
| 3. Inke Arns «Social Technologies
Deconstruction, subversion, and the utopia of democratic communication» vom Bruch, Marcel Odenbach and Ulrike Rosenbach, also in 1977, staged an act of anti-authoritarian television piracy that came more from an artistic context, [more] |
| 4. Inke Arns «Social Technologies
Deconstruction, subversion, and the utopia of democratic communication» also makes it possible for artists to work more independently with film as a medium than they had previously.[38] In 1972, Ulrike Rosenbach was the first female artist in Germany to get involved with the medium, to model herself and her body and to make a name for [more] |
