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robert-lippok: 5 Text passages
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1.  Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life»the twin perils of the Gesamtkunstwerk and «art = life» practice. At Black Mountain College in North Carolina, Robert Rauschenberg, Merce Cunningham and John Cage tried out an enduringly productive collaboration. They saw collaboration by no means as a [more]  |
| 2. Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life» of «Experimentsin Art and Technology» (E.A.T.). Billy Klüver was the group's technological expert, while Robert Rauschenberg took the artistic lead. In terms of media art, the group staged one of its most trailblazing events in 1966: «9 [more] |
| 3. Inke Arns «Social Technologies
Deconstruction, subversion, and the utopia of democratic communication» [20] This use of existing (media) images produces parallels with the use of materials by contemporary American pop artists (above all Robert Rauschenberg). [more] |
| 4. Rudolf Frieling «Form Follows Format
Tensions, Museums, Media Technology, and Media Art» Art and Technology» association. It thrived mainly on the collaboration of engineers and artists; Billy Klüver and Robert Rauschenberg were the group's most active mentors and driving forces. Their credo can be summed up in the statement that the emergence [more] |
| 5. Rudolf Frieling «Form Follows Format
Tensions, Museums, Media Technology, and Media Art» foreseeable future, the principle of the modular and reprogrammable functionality of objects, displays and space remains that Robert Rauschenberg could have had in mind in 1967 when he and the other E.A.T. ‹revolutionaries› wanted to build a space [more] |
