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Digitale Kunst: 4 Text passages
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1.  Dieter Daniels «Sound & Vision in Avantgarde & Mainstream »laboriously recreating it on tape is no longer necessary, the digital score is also the instrument by which it is realized. Williams Mix needed ten years after Cage to take the first step towards an interactive composition of this type in real time, still using a [more]  |
| 2. Golo Föllmer Julia Gerlach «Audiovisions. Music as an Intermedia Art Form.» to be taken in by reading alone—mono—and silently, only allow an imagined music to develop out of text and image. Nam June Paik, La Monte Young and George Brecht also composed music for the imagination, which they laid down as so-called [more] |
| 3. Golo Föllmer Julia Gerlach «Audiovisions. Music as an Intermedia Art Form.» Nam June Paik for the performer Charlotte Moorman (e.g., «TV-Bra for Living Sculpture,» 1969) as well as, for example, the [more] |
| 4. Golo Föllmer Julia Gerlach «Audiovisions. Music as an Intermedia Art Form.» parallel structure. Approaches of this kind can already be seen in the early video work by Nam June Paik. [19] The installation «Skate» (2004) by the London-based media artist Janek Schaefer <Bio NEU> is founded [more] |
