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digital video: 2 Text passages
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1. Golo Föllmer «Audio Art» for example, show the aesthetic and social effects of the merchandising control of media content and from this—as did John Oswald—they derive their demand for the preservation of the creative scope when dealing with technology.[12] Storage The [more] |
2. Golo Föllmer «Audio Art» then again with the dissemination of digital sampling in the 1990s. Now not only a song is quoted, but the sound itself. When John Oswald recomposes Beethoven and Michael Jackson using the same means, then what primarily counts is the processing [more] |