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digital video: 6 Text passages
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1.  Dieter Daniels «Television-Art or anti-art?
Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s»media. * Analytical deconstruction of the mass medium using the resources of art (Dan Graham, Dara Birnbaum, Klaus vom Bruch, Marcel Odenbach). * An approach to television that abandons the exclusivity of artistic purism to some extent (Laurie Anderson, John Sanborn, [more]  |
| 2. Inke Arns «Social Technologies
Deconstruction, subversion, and the utopia of democratic communication» deconstruct the mass medium of television analytically using the resources of art (Dan Graham, Dara Birnbaum, Klaus vom Bruch, Marcel Odenbach).[4] They also use subversive strategies by occupying niches in the expanding media landscape [more] |
| 3. Inke Arns «Social Technologies
Deconstruction, subversion, and the utopia of democratic communication» video artists also subjected the mass media to critical analysis in the late 1970s. Klaus vom Bruch and Marcel Odenbach both started in 1977 with the topically mediadominating subject of German terrorism, which definitively terminated the 1968 [more] |
| 4. Inke Arns «Social Technologies
Deconstruction, subversion, and the utopia of democratic communication» vom Bruch, Marcel Odenbach and Ulrike Rosenbach, also in 1977, staged an act of anti-authoritarian television piracy that came more from an artistic [more] |
| 5. Rudolf Frieling «Form Follows Format
Tensions, Museums, Media Technology, and Media Art» that tended to be more critical, like those adopted by Marcel Odenbach, Klaus vom Bruch, or Dara Birnbaum, did benefit from the wave of popularity but were not able to strike out in any [more] |
| 6. Rudolf Frieling «Form Follows Format
Tensions, Museums, Media Technology, and Media Art» relevant. Artists like Klaus vom Bruch, Gábor Bódy, Marcel Odenbach, or Ingo Günther were interested in different content and a subjective and narrative pictorial language in a given frame, [more] |
