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peter weibel: 2 Text passages
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1. ![]() spectacle. Working with found footage and icons of film and television history, artists such as Douglas Gordon or Pierre Huyghe open up reflective approaches to the nature of cinematic images and their relevance for the patterns to be found within our [more] ![]() |
2. ![]() Lumet’s «Dog Day Afternoon»(1975) succumb (as do their estranged forms, the remakes by Douglas Gordon or Pierre Huyghe). [more] ![]() |