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robert-lippok: 5 Text passages
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1.  Dieter Daniels «Television-Art or anti-art?
Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s»[59] Cf. works by Peter Weibel, «TV-Aquarium (TV-Tod 1),» 1970–1972, «TV-News (TV-Tod 2),» 1970–1972; Lynn Hershman, «Commercials for NY Hotel Rooms,» 1974; Dara Birnbaum, «MTV Artbreak,» 1987. [more]  |
| 2. Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life» even made this part of a real participatorial event. One example was Yoko Ono's «Cut Piece,» restaged by Lynn Hershman for video in the early 1990s—incidentally, similar examples of recurrence have taken place with the works of Vito [more] |
| 3. Söke Dinkla «Virtual Narrations
From the crisis of storytelling to new narration as mental potentiality» vanguard artists include Ken Feingold, Grahame Weinbren, Bill Seaman, Simon Biggs, Jeffrey Shaw, and in another sense also Lynn Hershman, who in her works «Lorna» (1983–1984) and «Deep Contact» (1989–1990) in a way carried [more] |
| 4. Söke Dinkla «Virtual Narrations
From the crisis of storytelling to new narration as mental potentiality» experience with the help of the imagination and consciousness to make it into more of an intermediate or transitional space, Lynn Hershman succeeds in her site-specific works, performances, interactive installations and web projects to almost wholly dissolve the [more] |
| 5. Inke Arns «Interaction, Participation, Networking: Art and Telecommunication» can be distinguished in the 1980s and 1990s:[16] interaction with a video story (interactive television and cinema), as in Lynn Hershman's «Deep Contact» (19891990); interaction between body and (static or dynamic) data realm, as in Jeffrey [more] |
