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digital video: 4 Text passages
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1.  Diedrich Diederichsen «Artists, Auteurs, and Star. On the Human Factor in the Culture Industry»than it actually is. Nonetheless, due to the success (including the artistic kind) of artists such as Matthew Barney, Douglas Gordon, Stan Douglas [8] , Bruce Yonemoto, and many others, the notion of the auteur seems to be an appropriate one. Even though most [more]  |
| 2. Ursula Frohne «»That's the Only Now I Get« Immersion and Participation in Video Installations by Dan Graham, Steve McQueen, Douglas Gordon, Doug Aitken, Eija-Liisa Ahtila, Sam Taylor-Wood» in general as a constructed spectacle. Working with found footage and icons of film and television history, artists such as Douglas Gordon or Pierre Huyghe open up reflective approaches to the nature of cinematic images and their relevance for the patterns to [more] |
| 3. Ursula Frohne «»That's the Only Now I Get« Immersion and Participation in Video Installations by Dan Graham, Steve McQueen, Douglas Gordon, Doug Aitken, Eija-Liisa Ahtila, Sam Taylor-Wood» refusal of narrativity. Douglas Gordon In his «re-makes» of films, such as Hitchcock’s «Psycho,» Douglas Gordon has emphasized the refusal of narrativity by slowing down the speed of the film, so that it takes 24 hours to play disrupting [more] |
| 4. Ursula Frohne «»That's the Only Now I Get« Immersion and Participation in Video Installations by Dan Graham, Steve McQueen, Douglas Gordon, Doug Aitken, Eija-Liisa Ahtila, Sam Taylor-Wood» the actual observers’ ambivalent roles between fiction and reality. In this sense, they correspond to the main actors in Douglas Gordon's Hitchcock re-makes. The emotional and psychic forlornness of these characters represents precisely a feeling of being nowhere, [more] |
