| Note: If you see this text you use a browser which does not support usual Web-standards. Therefore the design of Media Art Net will not display correctly. Contents are nevertheless provided. For greatest possible comfort and full functionality you should use one of the recommended browsers. |
digital video: 1 Text passage
| Hits |
1.  Susanne Holschbach «Continuities and differences between photographic and post-photographic»constructed (Keith Cottingham's «Fictitious Portraits» from 1992); faces were ‹folded› (Valie Export's «o.T.» from 1989), robbed of their countenance (Anthony Aziz and Sammy Cucher's «Dystopia» [more]  |
