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Digitale Kunst: 1 Text passage
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1.  Susanne Holschbach «Continuities and differences between photographic and post-photographic»constructed (Keith Cottingham's «Fictitious Portraits» from 1992); faces were ‹folded› (Valie Export's «o.T.» from 1989), robbed of their countenance (Anthony Aziz and Sammy Cucher's «Dystopia» [more]  |
