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digital video: 3 Text passages
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1. Verena Kuni «Cyborg configurations as formations of (self-)creation in the fantasy space of technological creation (I): Old and new mythologies of ‹artificial humans›» who since 1968 has published the journal «Cyborg Manifesto». And it is by no means only artists such as Eduardo Kac who claim for themselves the role of scientist. Conversely, a number of scientists also like to behave like artists, or [more] |
2. Verena Kuni «Cyborg configurations as formations of (self-)creation in the fantasy space of technological creation (I): Old and new mythologies of ‹artificial humans›» of Sephiroth in the Cabala, amongst other things one comes across the «artist gene,» the force behind which is Eduardo Kac and his works such as «Genesis» (1999ff.) and «Alba,» as well as the «GFP Bunny» (2000ff.) [more] |
3. Ingeborg Reichle «Transgenic Bodies. Where Art and Science Meet: Genetic Engineering in Contemporary Art1 Art and science» of recombinant DNA technology has now made possible. Transgenic Art - Eduardo Kac The Brazilian media artist and theorist, Eduardo Kac, assistant professor of art and technology at the Art and Technology Department of the Art Institute of Chicago, operates at [more] |