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1. icon: author Dieter Daniels «Television-Art or anti-art? Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s»
in parallel in relation to the mass media. * Analytical deconstruction of the mass medium using the resources of art (Dan Graham, Dara Birnbaum, Klaus vom Bruch, Marcel Odenbach). * An approach to television that abandons the exclusivity of artistic [more]more
2. icon: author Heike Helfert «Technological Constructions of Space-Time Aspects of Perception»
in perceptions of time. In contrast, Dan Graham thematizes time as a dimension that can be experienced in space. With his installation «Present Continuous [more]more
3. icon: author Inke Arns «Social Technologies Deconstruction, subversion, and the utopia of democratic communication»
examples will present. Media artists deconstruct the mass medium of television analytically using the resources of art (Dan Graham, Dara Birnbaum, Klaus vom Bruch, Marcel Odenbach).[4] They also use subversive strategies by occupying niches in the expanding [more]more
4. icon: author Inke Arns «Social Technologies Deconstruction, subversion, and the utopia of democratic communication»
being transformed by the influence of (mass) media and private commercial interests. Pioneers in this field include Dan Graham, Hans Haacke, Sanja Iveković, Jochen Gerz and Jenny Holzer. Hans Haacke's installation «Nachrichten» [more]more
5. icon: author Inke Arns «Interaction, Participation, Networking: Art and Telecommunication»
of interactivity came into their own concurrent with the transition from happenings to performance in the 1970s. Artists like Dan Graham, Peter Campus and Peter Weibel used closed-circuit installations to confront spectators with their own mediated image, [more]more
6. icon: author Rudolf Frieling «Form Follows Format Tensions, Museums, Media Technology, and Media Art»
[16] It is also interesting that a closed circuit installation like Dan Graham's «Present Continuous Past(s)» made particular use of the possibility of placing the recording and playback apparatus such a distance apart that a delay of exactly eight seconds was produced. [more]more
7. icon: author Rudolf Frieling icon: author Dieter Daniels «Milestones of Media-Art»
»Beobachtung der Beobachtung: Unbestimmtheit« Autoren: Rudolf Frieling/Claudia Giannetti Closed-Circuit Dan Graham, »Time Delay Room« Authors: Rudolf Frieling/Gregor Stemmrich Immersive Environment Char Davies, [more]more