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sound art: 4 Text passages
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1.  Dieter Daniels «Sound & Vision in Avantgarde & Mainstream »from all over the world becomes material.» [18] Seven years later, in his «Credo» on the future of music, John Cage predicted: «I believe that the use of noise to make music will continue and increase until we reach a music produced [more]  |
| 2. Dieter Daniels «Sound & Vision in Avantgarde & Mainstream » Now for the first time musicians can conduct their own experiments with a recording medium, without a great deal of expense. John Cage devised a graphic score for his first tape composition «Weekend» in 1952. It was not possible to cope with this [more] |
| 3. Dieter Daniels «Sound & Vision in Avantgarde & Mainstream » prefabricated in the music tools, and insists on laborious manual digital work. [30] In many respects this is reminiscent of John Cage's laborious creation of the «Williams Mix» audiotape montage by hand half a century before, and also of the ideal of [more] |
| 4. Golo Föllmer Julia Gerlach «Audiovisions. Music as an Intermedia Art Form.» by producing graphic scores that leave the sequence of sound elements open. For his «Fontana Mix,» < John Cage used graphic models and formulated rules, on the basis of whose two overlying line structures precise details can be inferred [more] |
