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sound art: 3 Text passages
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1.  Verena Kuni «Mythical Bodies II. Cyborg configurations as formations of (self-)creation in the imagination space of technological (re)production (II): The promises of monsters and posthuman anthropomorphisms»defects, [24] or when in their computer manipulated portraits in the «Dystopia Series» (1994) the artist duo Aziz & Cucher erase specifically those areas—the eyes, the nose, the mouth—that give facial features their identity and through [more]  |
| 2. Yvonne Volkart «Monstrous Bodies: The Disarranged Gender Body as an Arena for Monstrous Subject Relations» set on the end of the individual through biopolitics. In both «Faith, Honor and Beauty» (1992) by the artist duo Aziz & Cucher and Inez van Lamsweerde's photoseries «Thank you Thighmaster» (1993), gender, pubic- and body hair as well as [more] |
| 3. Yvonne Volkart «Monstrous Bodies: The Disarranged Gender Body as an Arena for Monstrous Subject Relations» detaching the sexual from an identifiable body and allowing the impression to be a structural one. The gender confusion in Aziz & Cucher's early photoseries, for instance, has been replaced by fantasies of skinscapes and skin objects or copulating electrical parts [more] |
