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digital video: 2 Text passages
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1.  Susanne Holschbach «Continuities and differences between photographic and post-photographic»from 1992); faces were ‹folded› (Valie Export's «o.T.» from 1989), robbed of their countenance (Anthony Aziz and Sammy Cucher's «Dystopia» from 1994), their individuality (Nancy Burson's series [more]  |
| 2. Anette Hüsch «Artistic Concepts Linked to the Transition from Analog to Digital Photography» faces and distorted bodies express themselves (cf. Yvonne Volkhart: Monstrous Bodies), shown, for example, in portraits by Anthony Aziz and Sammy Cucher, or the manipulated large-format glossy images by the Dutch artist Inez van Lamsweerde: In «The Dystopia Series» [more] |
