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digital video: 7 Text passages
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1.  Söke Dinkla «Virtual Narrations
From the crisis of storytelling to new narration as mental potentiality»the mid-1980s in telecommunications technologies and the computer as a way of destroying the principle of unique authorship. Roy Ascott was one of the first to initiate a project with shared authorship, with his «La plissure du texte» in 1983. He [more]  |
| 2. Oliver Grau «Immersion and Interaction
From Circular Frescoes to Interactive Image Spaces» which it depends is mirrored in the work of the Australian artist Jeffrey Shaw. Together with the British artist and theorist Roy Ascott, who began to publish texts on interactive computer art in the 1960s, in fact before it even existed, and the American artist [more] |
| 3. Oliver Grau «Immersion and Interaction
From Circular Frescoes to Interactive Image Spaces» in Linz, Austria. Goldberg envisioned a collective and intercontinental cultural production, an idea slightly reminiscent of Roy Ascott's telematic artwork and collaborative writing project «La plissure du texte» (1983).[40] At the Electra exhibition [more] |
| 4. Inke Arns «Interaction, Participation, Networking: Art and Telecommunication» Like the later Net artists of the 1990s, they wanted to occupy and exploit spaces outside institutionalized art discourse. As Roy Ascott wrote in 1984, it was a matter of creating a «planetary discursive community outside, or able to bypass, the [more] |
| 5. Inke Arns «Interaction, Participation, Networking: Art and Telecommunication» X' «The World in 24 Hours» (1982), the first art-related networked authoring processes were attempted in Roy Ascott's «La plissure du texte» (1983), Norman White's «Hearsay» (1984), the collaborative Minitel writing [more] |
| 6. Inke Arns «Interaction, Participation, Networking: Art and Telecommunication» the 1990s: Spatial and network interconnections According to Robert Adrian X, the «Planetary Network» designed by Roy Ascott for the 1986 Venice Biennial brought to a close the first phase of artistic telecommunication projects. The years up to [more] |
| 7. Rudolf Frieling «Form Follows Format
Tensions, Museums, Media Technology, and Media Art» communicative projects as the crucial opening for art. «Electra,» 1983, showed items like the Teletext project by Roy Ascott and others called «La plissure du texte.» «Les Immatériaux»[48] presented a collective, [more] |
