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digital video: 4 Text passages
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1.  Dieter Daniels «Television-Art or anti-art?
Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s»vom Bruch, Marcel Odenbach). * An approach to television that abandons the exclusivity of artistic purism to some extent (Laurie Anderson, John Sanborn, Robert Wilson, Zbigniew Rybczynski). * The subversive strategy of artistic occupation of niches in the [more]  |
| 2. Golo Föllmer «Audio Art» developed that are familiar to us as being specifically novel-like, cinematic or ‹funkisch› (radioesque).[52] Laurie Anderson uses these stereotypes in her media narratives. At the same time she describes their origin and their everyday meaning. In her [more] |
| 3. Rudolf Frieling «Reality/Mediality
Hybrid Processes Between Art and Life» a mass media icon on the stage. Proof that mass media pop events could evolve from the performance tradition was delivered by Laurie Anderson—«I am in my body as other people are in their cars»[31]— and her paradigmatic rise from street [more] |
| 4. Inke Arns «Social Technologies
Deconstruction, subversion, and the utopia of democratic communication» Laurie Anderson.[15] The literary critics were at a loss in 1964. But Marshall McLuhan, who analyzed Burroughs' cut-up novels in an essay [more] |
