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Source text:
Godard, Jean-Luc «Interview mit Jean-Luc Godard»
Schweppenhäuser, Gerhard «Film als Massenmedium»
Relevant passages:
Inke Arns «Social Technologies
Deconstruction, subversion, and the utopia of democratic communication» Rudolf Frieling «Form Follows Format
Tensions, Museums, Media Technology, and Media Art» Golo Föllmer Julia Gerlach «Audiovisions. Music as an Intermedia Art Form.» Ivone Margulies «Toward a Corporeal Cinema: Theatricality in the \'70s» Winfried Pauleit ««Riddles of the Sphinx». The Work of Laura Mulvey and Peter Wollen: Between Counter-Strategy and Deconstruction» Robin Curtis «Of Gerbils and Men: Politics, Satire and Passion in Some Films of Joyce Wieland»
Works by Godard, Jean-Luc:
Godard, Jean-Luc
b 1930 in Paris. Jean-Luc Godard was one of the most influential French film directors of the 1960s. He was educated in Lyon and at the Lycée Rohmer and the Sorbonne in Paris. While at the Sorbonne he became involved in a Paris film club and became attatched to a group including Francois Truffaut, Jacques Rivette, and Eric Rohmer. When André Bazin founded his critical magazine «Cahiers du cinema» in 1951, Godard with Rivette and Rohmer were among the first writers. Like many writers for «Cahiers du cinema», Godard started making some brief forays into film direction. His first film was a documentary, «Opération béton» (1954).
